The Russo canon in particular ( Return of the Living Dead) is the reason most people will respond with " Braaaiinnnns" when zombies come up in conversation, and most depictions along those lines are references to it. Most zombie movies mix-and-match conventions from the Romero and Russo canons. While Romero is responsible for most of the "general" zombie conventions, the more specific and visible zombie tropes are more often inspired by the later works of John Russo, Night's co-writer. Most zombie invasion stories, even those not explicitly based on Romero's films, follow the same conventions, though there are major points of contention. (Note, however, that the flesh-eaters in that movie are never referred to as "zombies," and Romero himself didn't consider them zombies, preferring " ghouls.")Īs Night was accidentally entered into the Public Domain due to an error in the end credits, it quickly became the object of imitation and emulation by many other directors. Romero's Night of the Living Dead (1968) attached the word to the living dead who eat the flesh of the living. However, it wasn't until the 1960s that George A. (Some of the oldest aspects of zombie appearance are actually symptoms of tetrodotoxin poisoning, a neurotoxin that may have been used in certain voudon rituals, though the Other Wiki dismisses the possibility on the grounds of not enough similarities between the two.) In this form, it has been known in America since the late 19th century. The word "zombie" originated in the Vodou beliefs of Haiti, referring to a body "revived" and enslaved by a sorcerer. Dan, Cracked After Hours - Which Apocalypse Would Be the Most Fun?
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